This album and the session that produced “Doin’ Alright” were held just days apart while Gordon was visiting stateside after becoming an expatriate in Europe. M M-M Gold, MG-500) Keep On Gettin’ Down (1978) Frank-O. Frank foster blue note studio 1969 plus#The album’s got a few strong originals from Gordon including pieces from Gordon’s score for the Los Angeles production of “The Connection,” “Soul Sister”, “Ernie’s Tune”, and “I Want More - plus the very sweet Kenny Drew tracks “Modal Mood” and “Clear The Dex” and the standards “The End Of A Love Affair” and “Smile” (written by Charlie Chaplin!). Dee Vee Records 9704) Weaker Than Water / 9705) You Gave Love To A Dying Man (1969) Hit And Run, HR 1512) Love Slave / Hurt All Over (UK only in 2011, orig. Frank foster blue note studio 1969 full#The album’s a real classic from Dexter’s first big “comeback” period (1961)– and represents the strength of his Blue Note years at their best! (This is his second on the label.) Gordon’s rich, full tone isn’t diminished a bit here - and his inventive blowing is given free reign on a set of quartet numbers recorded with Kenny Drew, Paul Chambers, and Philly Joe Jones. A sharp, animated saxophone soloist and a bandleader who appeared in (and later led) the Count Basie band from 1953 to 1995. The ballad “The Lady” offers a rare appearance by Lee with muted trumpet. Frank Foster - tenor saxophone Duke Pearson - electric piano Jimmy Ponder - guitar Roland Wilson - bass Leo Morris (Idris Muhammad) (1,3), Joe Chambers (2,4) - drums Nat Bettis, John Robinson - percussion Recorded at the Van Gelder Studio, Englewood Cliffs, NJ on May 9 (2,4) and June 6 (1,3), 1969. Bob Cranshaw, Mickey Roker, Marvin Stamm, Julian Priester, Frank Foster. But Lee’s beautiful “Desert Moonlight”, in time, became regarded as this album’s classic performance. The Blue Note jazz funk sides of the time are very well-known, but the music. The kick-off funk tune “The Rumproller” was written by Andrew Hill and proved a worthy successor to “The Sidewinder”. Blue Note brought Lee back into the studio for a follow-up album with Joe Henderson and Billy Higgins reprising their roles. Lee Morgan had two albums in the can when “The Sidewinder” became the surprise hit of 1964, making the Top 100 pop album charts. A seemingly haunted painting drives a greedy man insane. The label remained officially the Blue Note Records a Division of Liberty until 1970, however pressing quality, studio engineering and cover art became. With Joan Crawford, Ossie Davis, Richard Kiley, Roddy McDowall. You also need to have JavaScript enabled in your browser. Pilot: Directed by Boris Sagal, Barry Shear, Steven Spielberg. Listen up: “Īudio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Photo by Blue Note founder Francis Wolff. “The Rumproller” Lee Morgan Joe Henderson Ronnie Matthews Victor Sproles and Billy Higgins Blue Note 4199 (1965) Reid Miles cover design.
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